Today I decided to try another way to build a setting, a variation on something I did before for Givrer. I still had enough silver for this light setting so I went ahead. I built it for the piece I finished yesterday, I haven’t decided what I will be calling it yet!
|With a pair of matching earrings :)|
It is a rapeseed field in one of the last misty days before Spring.
|Enamel over copper, silver foil sterling silver, glass beads and grey moonstone beads.|
I love how the light reflects through the yellow and green enamels on to the silver foil. It is a great contrast with the grey around it, and I think it translates rather well the brightness of the yellow flowers in a grey day.
I used some of my treasured and now sadly unavailable uranium yellow. I failed to stock up in time and so now I have so very little left. So sad!
|I love to play with the macro objective ;)|
I found these glass beads some time ago. It is sometimes difficult to find exactly what I want. My working process is result-oriented, so I usually have a very clear idea of what I want, and it is sometimes difficult to find exactly the right materials in the exact shade I want!
With this in mind I have been thinking lately of picking up lampworking. I got a book… Then I could make my own beads. I don’t know if I understood correctly, but I think I could use my enamels over the glass, wouldn’t it be nice to be able to make matching beads? I don’t think they have the same COE but I have seen this mentioned in my book and in different places. Perhaps in thin layers? or with a good annealing? (luckly I already have kilns!) it has to be tried :D I shall invest in a few tools and materials soon.